Thursday, 30 May 2013

Burbage timelapse


Intrepid Dan Arkle scaled the Peak District on his own without ropes, capturing his exact route by using long exposure camera techniques to catch his every move.

http://uk.news.yahoo.com/blazing-a-trail--climber-takes-spectacular-light-streak-images-during-peak-district-trek.html#bvwBnvk 

 

When you spend hour traversing Britain's most picturesque peaks, you always want some kind of visual souvenir to commemorate your efforts.

And while most climbers opt for a standard panoramic image, bright spark Dan Arkle marked his journey with these spectacular light trails thanks to a head torch and some camera wizardry.

The intrepid 34-year-old scaled the Peak District on his own without ropes, capturing his exact route by using long exposure camera techniques to catch his every move.

Dan, from Sheffield, had to endure freezing cold temperatures as well as navigate course and treacherous rock only using minimal light available.

The stunning light trails show how traversed rugged terrain before scaling fearsome peaks and descending back to ground level again on his treacherous climbs.
Dan's stunning pictures also capture dramatic star trails thanks to his photographic technique (Caters)

The long exposure element of his photos also provides spectacular backdrops in the form of star trails across the night sky.

Dan prides himself on his ability to capture star trails within his amazing photographs.

He said: "The star trails in the sky are formed when the stars appear to move in the sky due to the earth spinning on its axis (just as the sun does).

"As the North Star (Polaris) is above the North Pole, it appears stationary and the other stars seem to move round it.

"Any exposure of longer than a few seconds will result in some star movement being captured.

While climbing a landmark known as Higgar Tor he had to climb the rock by painfully jamming his hands into cracks.

He said: "I got to the top of the first climb the rock was covered with ice.

"As I was climbing solo and ropeless, this gave me a few scary moments until I found a way round, the climbs are around 60 foot high.

"Climbing was strenuous and a little painful, but keeping my hands in the cracks also means that I felt secure.

"There was no danger of slipping off unexpectedly, but I knew I would have to get to the top before I got too tired or my hands got too cold."

Light Painting Photos of Rock Climbers Wearing Glow Sticks

Light Painting Photos of Rock Climbers Wearing Glow Sticks climbers1
What do you get when you combine rock climbers, glow sticks, and long-exposure photographs? Answer: some pretty neat light painting pictures.
St. Paul, Minnesota-based photographer and rock climbing enthusiast Matt Holland was able to experiment with rock-climbing light-painting photography recently when he went climbing at night with a group of friends in Jasper, Arkansas.
Light Painting Photos of Rock Climbers Wearing Glow Sticks climbers2
All the climbers were decked out with red headlamps and bright chemical glow sticks. The glow sticks were of the bracelet/necklace variety, so they were worn on arms, legs, helmets, harnesses, and shoes. The headlamps helped illuminate the rock face while the glow sticks added colorful light trails showing the climbs.
Light Painting Photos of Rock Climbers Wearing Glow Sticks climbers3
Holland was using a Canon 7D and a 15-85mm EF-S lens, “wide open at f/3.5 and zoomed out”. To capture the exposures, he used a cheapo Canon cable intervalometer as his remote shutter release, and used bulb mode to start exposures when the climbs began and stop them when the climbers reached the top.
Exposure times for full climb photos ranged from around three minutes to around five minutes.
Here are a few of the resulting light painting photographs from the climbs:
Light Painting Photos of Rock Climbers Wearing Glow Sticks photo11
Light Painting Photos of Rock Climbers Wearing Glow Sticks photo21
Light Painting Photos of Rock Climbers Wearing Glow Sticks photo31
Light Painting Photos of Rock Climbers Wearing Glow Sticks photo41
Holland tells us he was inspired to send in these photographs after seeing our post earlier this week on photographers who dropped glow sticks into waterfalls as a light painting experiment. You can find more of Holland’s photographs from the light-painting climbing session here.

Image credits: Photographs by Matt Holland

Wednesday, 29 May 2013

MoCap

Etienne-Jules Mareyen
 He developed Chronophotography in the 188O's as a way of recording several
phases of movement in one photo.

 







Time and Motion

It  soon became apparent that motion analysis could be applied usefully to the demands of the workplace where it could be used to determine the most efficient use of workers’ time and energy. This became known as ‘Time and Motion’ study.
One of the main tools of time and motion studies were ‘chronocyclegraphs’ - still pictures taken with long exposures in which motion paths are traced by small electric lamps fastened to the workers’ hands 

 

Chronocyclegraph made by Kodak Ltd, 1964. Courtesy of The Kodak Archive at the British Library

SEE THE INVISIBLE

Can you see a flying bullet, or a flower opening its petals to greet the morning sun?
Photography can speed up or slow down time. High-speed and time-lapse photography enable us to see events too fast or too slow for the naked eye, revealing a hidden world of extraordinary beauty.